This blog focuses on the advanced assignments and work of the grade 11/12 Photography class at Mark Isfeld Secondary school.
Remember it is not your job to go out and find photos, you need to look at things and see potential photos, and if that doesn't work ...go out and create your own photos.
Composition rules in Photography
Basic Compositional Rules in Photography
The following assignments are all due for term 3.
Angles Assignment: Make sure you take in focus, well composed photos. Three good photos of each angle. 20 marks
The medium shot
The medium shot may be similar to many of your typical photographs. A subject is captured from around the knees or waist to the top of the head. We can’t see their entire body, but we are close enough to establish a primary connection with the person. We can view aspects of the background that have been permitted to appear in the frame. Medium shots are the baseline of where we will begin. Not always the most interesting, but medium shots are fundamental.
The Close-up
More intimate and ‘in your face': the closeup aims at creating a stronger connection to the subject. Suddenly we can clearly see a person’s emotions and can easily connect with their humanity. If our subject is older, we may be able to see wrinkles of time, which tell a story within themselves. Close-ups are great when you want an intimate documentary style shot where the world disappears, and your subject is the clear focus.
Long Shot
Excellent for telling stories, long shots allow us to see not only our subject but also their environment. Depending on how a long shot is setup, we may find a person surrounded by their workspace, and thus we learn a bit more about their lives. Other times, a subject can be surrounded by seemingly endless isolated. Long shots help us to take photographs that establish a person’s position within the world.
The Dutch Angle
Becoming increasingly criticized for its modern overuse in still photography, Dutch angles can help to tell us something about the photograph or its subject is not entirely right. Typically used to depict the world on its side, Dutch angles can be artfully utilized to tell us that something is wrong. Maybe the subject is in danger, or their state of mind isn’t properly grounded.
Low Angle/Worm's Eye View
Taking a photograph from a low angle, also know as a ‘worm’s-eye view’, makes subjects appear larger than normal. The lens sees the scene from a point of humility while the subject towers over the world. A photograph taken from a low angle to help establish dominance or power.
High Angle
Looking at the exact opposite situation, the high angle can be used to make a subject appear small or vulnerable. Commonly known as the ‘bird’s-eye view’, shots like these may be used to signal that a subject is in danger or has lost dominance in their environment. Add a dutch angle and something bad is almost certainly about to happen.
Extreme Close-up
The most intimate of all shots, the extreme close-up, goes beyond the standard close-up by focusing on a single feature. We may see a drop of sweat drip down a subject’s check or the fear in a pair of eyes. Close-ups may be shot with macro lenses due to how close they are to a subject. However they are shot, extreme close-ups allow us to get emotionally under the skin of our subjects.
Over the Shoulder shot
An over the shoulder shot can be used to show a relationship between another persona and our subject. We take a position next to the main subject getting close-up in their space and viewing the world as if we were standing with them. We may connect our model with a physical item or another individual within their space. The over the shoulder position places us within the world of the documented subject
More on Angles:https://truecenterpublishing.com/photopsy/camera_angles.htm
